A sailor (Will Smith) tells his children the story of Aladdin (Mena Massoud), a street thief who meets Princess Jasmine (Naomi Scott), whose father, the Sultan (Navid Negahban), has his power threatened by the ambition of the vizier Jafar (Marwan Kenzan), who wants to get hold of a wonderful lamp containing a genie capable of fulfilling wishes.
After films like “Beauty or The Beast” or “Dumbo”, Disney released another remake with real interpreters of an animated film from its factory, “Aladdin”, the well-known story of Aladdin devised in “The Thousand and One Nights”.
The film, a romantic-musical fantasy with intrigues of power, is quite faithful to the original film. Guy Ritchie maintains the narrative balance with intensity in the action in a modest but sufficiently effective setting; the leading couple is not bad at all; The plot creates a typical fairy tale Manichaeism as a moral teaching on valuing the person beyond their physical or patrimonial conditions, with a foreseeable romance with class differences and false identity, not lacking humorous strokes or songs, such as the one known ” A Whole New World ”by Alan Menken and Tim Rice.
Correct, domestic movie; he lacks epic in his escapist oriental adventure, the musical numbers are not creative, and those who can’t stand Will Smith will end up jaded with his character.
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