A bottle of lemonade accidentally spilled on a production conveyor marked the beginning of a cruel zombie apocalypse, people were traditionally forced to fence themselves off from the zombies with a high wall. We must pay tribute to the writers of this tape, Joseph Raso (“Copenhagen”, TV series “Offspring”) and David Light, who were able at the very beginning to lay an effective tool for manipulating characters and dynamic development of the plot. Reaching extraordinary heights, human science has found the perfect way to deprive zombies of their appetite for eating brains, because special bracelets for everyone keep their behavior under control with the help of special impulses. As a result, the population of green-haired outcasts almost turned into residents of an ideal society, who stopped giving trouble to the residents of the ideal city of Seabrook with the same ideal residents.
It is curious that the name of this ideal town is a reference to the famous American occultist William Seabrook, who, in one of his works “The Island of Magic”, popularized the word “zombie” in English. The amended human legislation assumes that teenage zombies go to regular “human” schools, so it would be strange if the heroes of the film, representing humans and zombies, did not start a romantic relationship. Therefore, two main characters will have to break the existing barriers in the plot of the film – Zed (the first brilliant role of Milo Mannheim, the TV series “Ghost Whisperer”), who dreams of becoming a star of American football, and Addison (Meg Donnelly, the TV series “American Housewife”), who dreams about participating in a cheer leading team.
In “Zombies” the myth of sinister human brain eaters is processed and gets several degrees of sounding throughout the development of the action of this energetic tape in all senses. Considering that zombies are discriminated members of society, whom society strives to make obedient and controllable, it acquires a straightforward, but well-readable meaning in this picture. Both Zed and his friends Eliza (Kylie Russell, Chasing Life ) and Bonzo (James Godfrey) dream of socialization, dream of becoming members of human society, dream of making a career and gaining knowledge. Well, not rebellious zombies, as the filmmakers try to portray them from time to time, but the ideal embodiment of the American dream of faith in yourself and your own strength. Obviously, the casual and entertaining tone of “Zombie” no longer tunes in to rebellion, to the perception of the variegated colors and speed of events. For Zed and Addison, at a certain point it becomes important to abandon double standards and show their true selves, those who renounce dishonest fame and claim their own individuality. Addison, by all canons the ideal daughter of her sterile barbies, at the climax understands that her main protest and her main victory is the demonstration of her dissimilarity and her ash hair to all the inhabitants of Seabrook.
You can sneer as much as you like about the Disney revolution and the struggle of zombies for equal rights with people, but thanks to Zed and his team, the inhabitants of Zombetown end up having a common party with their neighbors. The entire cast of “Zombie” showed itself from a very unexpected side, which turned out to be a great team for a musical, saturated with songs, dances and deliberately hyperemotional. The very talented Milo Mannheim can already be read about the status of a future superstar after this film, he is incredibly plastic and very well feels the strange nature of his character Zed. The painting impresses with its stunning production design for a TV movie, a color palette of costumes verified for zombies and people, original visual and color solutions that do not allow an optimistic fairy tale to turn into a dark dystopia. The fascinating plot of “Zombies” practically does not sag anywhere, but by about the middle of the tape all the accents associated with unusual brain eaters finally shift to melodrama and begin to indicate to the viewer that he is still watching a branded Disney product, which in itself indicates more on the concept of a channel with content than on trying to make a completely dizzying project.
“Zombies” is adorned with well-choreographed and pleasing to the eye choreographic numbers with elements of acrobatics and many absolutely hit songs that instantly fall on the ear, and were written by veteran soundtrack George S. Clinton (” it is impossible to demand from a teenage in spirit and ardor tape excessive depth and many meanings, characteristic, for example, for such a tape about zombies similar in content as “The Heat of Our Bodies” in 2013. This film is a great way to talk about the fact that we ourselves are often the product of our prejudices towards others, which are worthy of much more attention than you might imagine. it is impossible to demand from a teenage in spirit and ardor tape excessive depth and many meanings, characteristic, for example, for such a tape about zombies similar in content as “The Heat of Our Bodies” in 2013. This film is a great way to talk about the fact that we ourselves are often the product of our prejudices towards others, which are worthy of much more attention than you might imagine.
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